7/20/2023 0 Comments Paramore decodeHowever, writer Meyer’s connection with the band goes deeper than this brief sequence in the first Twilight movie. While not originally written for the movie, "Supermassive Black Hole" is a perfect fit for the sequence, with the growling vocals and crunchy instrumentation providing an appropriately dramatic, but also fittingly over-the-top accompaniment for the sight of flying bloodsuckers engaging in America’s favorite pastime. The scene is laughable, but upon a rewatch it’s hard to imagine the filmmakers intended for Twilight's goofy Cullen family outing to be taken totally seriously. Let's look at the specific songs that made the first soundtrack such an enormous success.Įasily the biggest hit to come from the movie, the Muse track not only remains an iconic bit of anthemic alt-rock, but it’s also arguably the only thing that salvages Twilight’s infamously campy "vampire baseball" sequence. Many of the soundtrack’s songs were written especially for the movie, others already minor hits that benefitted from the publicity provided by the arrival of the Twilight series in cinemas. With some selections made by the filmmakers and some made by series author Stephenie Meyer herself (who popularized the now-ubiquitous trend of creating playlists for specific characters), it’s fair to say that a lot of thought went into pairing songs to the first film in the Twilight series. Related: Twilight: Esme Cullen's Dark Backstory Explainedĭespite the movies faring poorly with critics and often being criticized for their formulaic and regressive love triangle plot, the Twilight soundtracks were undeniably well-curated collections of rock, indie, and emo music that remain well-loved by viewers of a certain vintage to this day. With a target audience of teenagers, it was inevitable that the soundtracks to Twilight and its sequels were almost even bigger hits than the movies themselves, with Twilight’s soundtrack alone selling more copies than any movie soundtrack since the 2002 musical Chicago. After a four-year hiatus, Paramore reinvented themselves as a tropical-disco troupe for 2017’s After Laughter, a Top 10-crashing comeback that once again proved Williams’ aforementioned fears to be wholly unfounded.Hardwicke’s sleeper hit was the first of the Twilight saga, a series of blockbusters which, although persistently unpopular with critics, were a huge hit at the box office and proved a genuine pop culture phenomenon around the time of their release. And as the band crossed over via acoustic coffeehouse ballads (2009’s “The Only Exception”) and breezy, gospel-infused funk (the Grammy-winning 2013 single “Ain’t It Fun”), Williams seized the mantle of the Warped Tour generation’s foremost feminist voice, even disavowing their first Top 40 hit, the 2008 love-triangle rager “Misery Business,” for lyrics that painted the other woman in a nasty light. Alongside peers like Fall Out Boy and Panic! At the Disco, Paramore gradually pushed pop-punk out of the mosh pit and past the velvet rope. On their early records, Paramore updated the candy-coated angst of Avril Lavigne with the urgent emo-schooled dynamics of Jimmy Eat World, but recurring personnel changes would reformulate the band’s chemistry on an album-by-album basis. Atlantic acquiesced by grooming Paramore on their indie-leaning subsidiary Fueled by Ramen, where the group debuted with 2005’s All We Know Is Falling. Initially signed as a solo artist to Atlantic Records-which had designs on turning her into the next Kelly Clarkson-Williams insisted on including her high-school pals in her pursuits, forming a band that reflected the harder alt-rock sounds she was more naturally drawn to. Even from their 2004 inception in the suburbs of Nashville, Paramore’s identity was constantly in flux. “Because what if we’re not as good at that?” Her tenure as frontwoman for Paramore has given her plenty of opportunities to conquer that fear. “Every time we do a record, I get so married to who we are in that moment that I’m scared for us to go be something else,” Hayley Williams admitted to Apple Music in 2017.
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